'Spider-Man 2': Insomniac will fix Cuban flag in Miles' home Los Angeles Times
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It involves using basic shapes such as spheres or cylinders to establish its main structure. Presently, I teach at various universities, notably in Barcelona and Latin America. This year, I’ve had the opportunity to collaborate with XP-Pen Spain, enabling me to bring art and technology closer to a broader audience and share my passion for both worlds. I’m Gerard Martínez, a character 3D Artist and Instructor residing in Parets del Vallès, a town near Barcelona.
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Miles rocked a densely coiled afro with a neat line-up in the first Spider-Verse. His signature kinky crown is still full in the sequel but has less texture and looser curls. This seemingly small change to his hair texture has led to a big conversation around skin color, hair texture, and the lightening of Black characters.
The Story So Far
As far as I’m concerned, Across the Spider-Verse’s Spidey suit is the definitive Miles Morales costume. The suit’s unique stuttered animation from the films makes the threads feel even more extraordinary both aesthetically and mechanically. Yet, in seemingly every on-screen iteration that Marvel (the real culprit of multiverse fatigue) has put out, these limitless worlds lack creativity. Harry Osborne was mentioned several times in Marvel’s Spider-Man, but didn’t actually show up at any point in the game.
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Then, I projected the spider symbol that I easily found on the internet. When working with a concept, it’s crucial to ensure that facial features maintain the proper proportions in relation to the overall shape of the head and body. For instance, achieving the right position between the eyes, nose, and mouth makes it easier to capture the character’s likeness accurately. Typically, I start with a Polysphere or a low-polygon density sphere to perform the Blocking. I prefer using the “Reference Views” function to place my reference behind my model, which makes it easy and quick to compare with the concept.
The pair also revealed that a fourth live-action “Spider-Man” film starring Tom Holland and Zendaya is also on the way as soon as the writers’ strike ends, Variety reported. The stunning animated sequel to the 2018 Oscar-winning ‘Into the Spider-Verse’ blends Abstract Expressionism, storybook illustrations, ballet and punk with a gleefully disruptive attitude. There were even a few rejected designs for the Prowler that didn't make it to the final cut of Spider-Verse 2's final scene, although Sony is now working hard to develop the next steps in this character's journey. Miles Morales is a young man living in New York who was also bitten by a radioactive spider, allowing him to help Peter Parker as a fellow Spider-Man.
Polygon main menu
For the final render of Miles Morales, I aimed for a blend between the film’s style and a look closer to cartoon animation, while still maintaining my personal style. During this stage, my usual approach involves applying maps within the Arnold aiStandardSurface material. I apply the Base Color texture to both the base color node and the Subsurface Color.
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It’s like how the Sex and the City producers talk about New York City as the fifth character, but if that fifth character was an extremely tedious, dull-looking energy drain. Marvel’s Spider-Man 2’s Peter Parker looks to have bulked up a bit and sports a slightly different haircut from his previous version from Marvel’s Spider-Man Remastered. Additionally, he looks a little older than he previously did, which addresses a lot of the concern that a number of fans have had regarding his previous face looking too young. It also makes sense for the story as he will most likely be in his late twenties during this game. We also get a first look at Harry Osborne, whose appearance in the video game has long-awaited by fans of the first game. Next, I added a Key Light (Primary Light) using an Area Light type, illuminating the character from a specific angle to simulate a primary source.
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This trailer is the very first time we’ve got to see what Insomniac’s version of Harry Osborne looks and sounds like in Marvel’s Spider-Man 2. In addition to his new hairstyle, the trailer shows Miles confronting Martin Li, who also has a new look for the game. It’s unknown how Martin Li will be involved in the story, but his presence in the trailer interacting with Miles reaffirms that this game will be Miles’ story just as much as it is Peter’s. Finally, for Miles Morales’ suit, I started by adding a black fill layer for the entire suit.
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Colorism in entertainment even affects portrayals of real people, such as when Zoe Saldana was cast as Nina Simone, for which the actress has since apologized. Over the weekend, “Spider Man-2” players noticed a Cuban flag on display in the Spanish Harlem home of Miles and his mother, Rio, who are both Puerto Rican. The misstep, which sticks out amid the game’s other efforts to celebrate Miles’ Puerto Rican heritage, left some players “bothered” on social media. Some fans were already discussing the casting of the live-action Miles Morales film, speaking to the character’s Afro Puerto Rican descent.
Colorism has also reared its ugly head in changes to casting in some of the most influential Black family sitcoms. On Fresh Prince of Bel-Air, Daphne Reid, a lighter-skinned actress, was selected as a recast for Aunt Viv, played by Janet Hubert. A similar recast happened on the sitcom My Wife And Kids when Claire, played initially by darker-skinned actress Jazz Raycole, was replaced with biracial, lighter-skinned actress Jennifer Freeman.
Pavitr, who has perfect, flowing superhero hair, explains that people have places to go, traffic to sit in, and chai to drink, but some need saving. But even with my anti-multiverse bias, I found my imagination awakened while watching Across the Spider-Verse. The key to this splendid film — the second movie in a trilogy — is its commitment. The movie isn’t content with being another Spider-Man movie, another movie about the multiverse, or another superhero movie. It challenges ideas about great power and responsibility, stories about the worlds we live in and the things we’re searching for, and our concepts of heroism and morality. And it does so with a gorgeous, imaginative animated style that makes each world seem limitless.
But most importantly, the suit pays homage to the actor who proved pop culture fans will break box office records to see a Black superhero do his thing. The fight between the two, Miguel’s brawn versus Miles’s agility, is as inevitable as it is beautiful. That goes for every action sequence, where there’s careful thought paid to how the characters are framed, the space they zip around in, and the steadiness of each shot. Despite the fact that the movie is animated, there’s never any feeling of weightlessness or throwaway flimsiness — a tendency that tends to rear up even in some of the best live-action superhero movies. Once the basic shapes of the character have been defined in the Blocking phase, I move on to the detailing stage.
The problem is that many iterations of the multiverse are so terrestrially boring. Conceptually, the multiverse represents infinite possibility with an implicit invitation to fantasize different futures and pasts for ourselves. In a different universe, we could be superheroes or presidents or rockstars or rugged adventurers or cosmic supervillains. Processing time may vary based on your character’s complexity and your computer’s speed.
Therefore, if you need to sculpt details that require high polygon counts, use ZBrush’s subdivision functions or other optimization techniques. I used to use ZBrush to pose my characters with the Transpose Master tool. The eyes were simply created by designing a texture in Photoshop and then projecting it onto Substance Painter with a roughness value set to 0. To achieve this, the first step was to draw the entire suit’s silhouette and then perform an “Extract”. Subsequently, I sculpted some details to emphasize certain muscles and began drawing the entire web pattern using Vertex Paint. It is crucial because it lays the groundwork and structure before adding details.
The film also features cult classic characters from the comics, such as Scarlet Spider who fans recognized in the movie’s posters for his iconic spider suit — the punkish blue hoodie with torn sleeves. Music is a huge part of Miles Morales’ identity in Sony’s Spider-Verse animated films, and Insomniac’s games. No costume, other than the aforementioned City Sounds suit, encapsulates that spirit quite like the Miles Morales 2020 suit.
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